What if I was a judge? Don’t panic, it’s not likely to happen any time soon. I haven’t even been to law school or anything. But then again, considering some of the idiots who become judges, you never know.
But I bitch a lot about injustice so what if I could do something about it by being a judge? I’d like to think that I would develop a reputation as a wise, fair and benevolent arbiter of justice. But if I was a judge, it’s more likely that I would be an asshole, through no fault of my own. Because places of power, like being a judge, aren’t built for cripples like me, because people don’t associate cripples like me with being in places of power. So that would put me under tremendous pressure to overcompensate to prove I belonged.
Judges in courtrooms are always on high so they can look down on the rest of us. Those are the people everybody respects the most—the ones who look down on us. But in order for me to get up to my judge’s perch in my wheelchair, someone would have to build me a crazy, winding ramp. The bailiff says “all rise” and I make my entrance up the crazy, winding ramp and I already look like a doofus. But I’d better not hear so much as a snicker out of anybody because I’m a judge, goddammit, and my courtroom is a dictatorship with me in charge! If anyone says “boo” I can slap their asses with contempt of court. And I will! Just try me!
Judges always also sit behind desks that are pointlessly enormous. I don’t know why their desks are so enormous. It’s not like they do anything with those desks except bang gavels on them. One of those folding television trays would work just fine as a desk for a judge, but a pointlessly enormous desk is much more intimidating. And those are the people everybody respects the most—the ones who intimidate us.
So if I was a judge, I’d look like a dork sitting behind that enormous desk in my wheelchair because the desk would be way too high. It would come up to about my eyes and I’d barely be able to see over the top and once again everyone would be tempted to snicker. So I’d have to have a much lower and smaller desk that wouldn’t be nearly as intimidating and people would still snicker. I couldn’t win.
The more you don’t fit in the more you overcompensate. So in order to command respect as an authority figure, I’d probably become a hard-ass judge, sentencing jaywalkers to the guillotine. That’s what happens when you give a cripple like me a little power.
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Monday, March 13, 2017
The Grapes of Wrath for the Blind
Maybe I’m just too cynical. Maybe I ought to lighten up a little.
But I can’t help it. I call the 800 number for the Illinois Tollway so I can add funds to that little box on my van dashboard that lets me zip through toll stops without going to a human in a booth. I’m on hold and a recording says calls are handled by people working for the Lighthouse for the Blind.
I know hearing that is supposed to make me feel good. And I’m sure that’s the effect it has on 99.999999999999999 percent of callers. Who wouldn’t think hiring the handicapped is a mighty fine thing to do? But I hear that stuff about the Lighthouse and I say to myself, “So what’s the catch?”
And then I say to myself, “Why not India?” Because if an outfit employing cripples landed this customer service contract, they must have underbid India for it. So this smells like one of those deals where cripples get paid pennies an hour.
Now it’s true that this is a government contract and the government has a hard time justifying shipping jobs to India. But hell, governments love to bust unions, too. So while I’m sitting there enduring the on-hold music, I picture a scene with several rows of galley slaves working the oars, while a stern foreman with a whip patrols the aisle. Except instead of slaves working oars I see several rows of cubicles occupied by chattering blind people wearing headsets. A blind man falls to the ground in exhaustion and the sadistic foreman pounces and whips him until he climbs back up in his chair and gets back to work.
And if a blind person can’t hold up under the rigors of customer service, there are plenty more blind people waiting in line to take his/her place. I picture scores of migrant blind customer service workers, looking dirty and ragged like Okies, all headed across the Great Plains to Illinois in their covered wagons. Back at the migrant camp, after a grueling day of listening to customers bitch and moan, the blind workers huddle around the warm campfire wrapped in stiff and scratchy horse blankets. Each forlorn blind person takes a sip from a soup ladle before passing it on. One of the blind people plays sad music on a harmonica.
What the hell’s the matter with me? Why can’t I just relax and let myself feel all warm and fuzzy while waiting to be served, instead of conjuring up a disturbing fantasy of brutal exploitation? But there is one good thing about it. At least it takes my mind off the on-hold music.
(Smart Ass Cripple is completely reader supported. Purchasing Smart Ass Cripple books at lulu.com, subscribing on Amazon Kindle and filling the tip jar keeps us going. Please help if you can.)
But I can’t help it. I call the 800 number for the Illinois Tollway so I can add funds to that little box on my van dashboard that lets me zip through toll stops without going to a human in a booth. I’m on hold and a recording says calls are handled by people working for the Lighthouse for the Blind.
I know hearing that is supposed to make me feel good. And I’m sure that’s the effect it has on 99.999999999999999 percent of callers. Who wouldn’t think hiring the handicapped is a mighty fine thing to do? But I hear that stuff about the Lighthouse and I say to myself, “So what’s the catch?”
And then I say to myself, “Why not India?” Because if an outfit employing cripples landed this customer service contract, they must have underbid India for it. So this smells like one of those deals where cripples get paid pennies an hour.
Now it’s true that this is a government contract and the government has a hard time justifying shipping jobs to India. But hell, governments love to bust unions, too. So while I’m sitting there enduring the on-hold music, I picture a scene with several rows of galley slaves working the oars, while a stern foreman with a whip patrols the aisle. Except instead of slaves working oars I see several rows of cubicles occupied by chattering blind people wearing headsets. A blind man falls to the ground in exhaustion and the sadistic foreman pounces and whips him until he climbs back up in his chair and gets back to work.
And if a blind person can’t hold up under the rigors of customer service, there are plenty more blind people waiting in line to take his/her place. I picture scores of migrant blind customer service workers, looking dirty and ragged like Okies, all headed across the Great Plains to Illinois in their covered wagons. Back at the migrant camp, after a grueling day of listening to customers bitch and moan, the blind workers huddle around the warm campfire wrapped in stiff and scratchy horse blankets. Each forlorn blind person takes a sip from a soup ladle before passing it on. One of the blind people plays sad music on a harmonica.
What the hell’s the matter with me? Why can’t I just relax and let myself feel all warm and fuzzy while waiting to be served, instead of conjuring up a disturbing fantasy of brutal exploitation? But there is one good thing about it. At least it takes my mind off the on-hold music.
(Smart Ass Cripple is completely reader supported. Purchasing Smart Ass Cripple books at lulu.com, subscribing on Amazon Kindle and filling the tip jar keeps us going. Please help if you can.)
Monday, March 6, 2017
The Artificial Drooler
Well okay, I guess you can say things have improved a little for cripples over the last 20 years or so.
Twenty years or so ago, I went to see this play where the main character was a guy in a wheelchair who had cerebral palsy. I don’t remember the title of the play. All I remember was that it was written and performed by a traveling theater company that does plays about “social issues.” Yikes! That should have been a big red flag. But I went to see the play anyway, despite being fully aware of the risk involved in doing so. I guess I figured, “How bad could it be?”
This was that theater company’s first foray into the “social issue” of crippledom. Needless to say, the role of the man with cerebral palsy who’s in a wheelchair was not played by a guy who really did have cerebral palsy or was in a wheelchair. To me it was obvious from the start that he wasn’t an authentic cripple by the way he spazzed it up like Jerry Lewis on coke. From my vantage point in the back row, I could even see drool glistening on his chin throughout the play.
The sad protagonist lived a life of brutal rejection. He was rejected by his family, by kids in school, by employers, by females. It got to the point where he sat on stage alone in his wheelchair delivering a spazzed-out tragic soliloquy about how much it sucks to be him. And then he put the barrel of a loaded gun in his mouth.
The audience gasped. And that’s when the action froze and the audience participation part began. (Yikes! A play about “social issues” that includes audience participation! Any play like that should be required to have a Surgeon General’s warning.) As the faux cripple sat motionless on stage with a gun in his mouth, one of the administrators of the theater company entered from the wings and asked the audience to determine the ending of the play. Should the cripple blow his brains out or not?
A spirited audience discussion ensued about the pros and cons of cripples blowing their brains out. No one mentioned the the fact any cripple that was as spazzed out as this one probably would have shot off his nose or something while attempting to put the gun in his mouth. In the end, the audience decided that the brave protagonist should resolve to keep on living in spite of it all. I can’t remember whether it was a voice vote or a show of hands.
So the action unfroze and the actor took the gun out of his mouth and delivered a final soliloquy about how he’s going to keep on living in spite of it all. The end. The audience applauded vigorously as the actors took their bows. Of course the star bowed last and before he did, he rose from his wheelchair, much to the audience’s surprise and delight. And then he unhooked something from his lower lip and held it high for all to see. Turns out the chin drool was fake. Yep, somebody in the props department actually made him a drool prosthesis.
Like I said, that was 20 years or so ago. I’ve seen a lot of horrifyingly grating stuff about cripples on stage and screen since then. But I’ve still not seen anything as excruciating as that.
So maybe things have improved a little.
(Smart Ass Cripple is completely reader supported. Purchasing Smart Ass Cripple books at lulu.com, subscribing on Amazon Kindle and filling the tip jar keeps us going. Please help if you can.)
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